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From Chapter 2: It chaunc'd me gazing at the Theater, To spie a Lock-Tabacco Chevalier Clowding the loathing ayr with foggie fume Of Dock Tobacco friendly foe to rhume— says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.
From Chapter 5: When excavations were in progress early in 1901, preparatory to the construction of Kingsway and Aldwych, they included the removal of bodies from the burying-grounds of St. Clement Danes and St. Mary-le-Strand; and among the bones were found a couple of the curious tobacco-pipes called "plague-pipes," because they are supposed to have been used as a protection against infection by those whose office it was to bury the dead. These pipes have been dug up from time to time in numbers so large that one antiquary, Mr. H. Syer Cuming, has ventured to infer that "almost every person who ventured from home invoked the protection of tobacco."
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Cigarette and Tobacco Information:
From Chapter 2: But the apothecaries were the most usual salesmen, and their shops and the ordinaries were the customary day meeting-places for the more fashionable smokers. The taverns and inns, however, were also filled with smoke, and taverns were frequented by men of all social grades. Dekker speaks of the gallant leaving the tavern at night when "the spirit of wine and tobacco walkes" in his train. On the occasion of the accession of James I, 1603, when London was given up to rejoicing and revelry, we are told that "tobacconists [ i.e. smokers] filled up whole Tavernes."
From Chapter 7: The week-end habit was strong among London tradesmen in those days. Another Connoisseur paper of 1754 refers to the citizens' country-boxes as dusty retreats, because they were always built in close contiguity to the highway so that the inhabitants could watch the traffic, in the absence of anything more sensible to do, where "the want of London smoke is supplied by the smoke of Virginia tobacco," and where "our chief citizens are accustomed to pass the end and the beginning of every week." In the following year there is a description of a visit to Vauxhall by a worthy citizen with his wife and two daughters. After supper the poor man sadly laments that he cannot have his pipe, because his wife, with social ambitions, deems that it is "ungenteel to smoke, where any ladies are in company." Again, in the Connoisseur's rival, the World, founded and conducted by Edward Moore, there is a letter, in the number dated February 19, 1756, from a citizen who says: "I have the honour to be a member of a certain club in this city, where it is a standing order, That the paper called the World be constantly brought upon the table, with clean glasses, pipes and tobacco, every Thursday after dinner."
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Tobacco History:
Cigarettes and Literature
From Chapter 4: In this country tobacco is said to have invaded even the House of Commons itself. Mr. J.H. Burn, in his "Descriptive Catalogue of London Tokens," writes: "About the middle of the seventeenth century it was ordered: That no member of the House do presume to smoke tobacco in the gallery or at the table of the House sitting as Committees." I do not know what the authority for this order may be, but there is no doubt that smoking was practised in the precincts of the House. In "Mercurius Pragmaticus," December 19-26, 1648, the writer says on December 20, speaking of the excluded members: "Col. Pride standing sentinell at the door, denyed entrance, and caused them to retreat into the Lobby where they used to drink ale and tobacco."
From Chapter 7: The most famous of country clergymen of the early Georgian period is, of course, Fielding's lovable and immortal Parson Adams. Throughout "Joseph Andrews" the parson smokes at every opportunity. At his first appearance on the scene, in the inn kitchen, he calls for a pipe of tobacco before taking his place at the fireside. The next morning, when he fails to obtain a desired loan from the landlord, Adams, extremely dejected at his disappointment, immediately applies to his pipe, "his constant friend and comfort in his affliction," and leans over the rails of the gallery overlooking the inn-yard, devoting himself to meditation, "assisted by the inspiring fumes of tobacco." Later on, in the parlour of the country Justice of the Peace, who condemned his prisoners before he had taken the depositions of the witnesses against them, and who, by the way, also lit his pipe while his clerk performed this necessary duty, Adams, when his character has been cleared, sits down with the company and takes a cheerful glass and applies himself vigorously to smoking. A few hours later, when the parson, Fanny, and their guide are driven by a storm of rain to take shelter in a wayside ale-house, Adams "immediately procured himself a good fire, a toast and ale, and a pipe, and began to smoke with great content, utterly forgetting everything that had happened." In the same inn, after Mrs. Slipslop has appeared and disappeared, Adams smokes three pipes and takes "a comfortable nap in a great chair," so leaving the lovers, Joseph and Fanny, to enjoy a delightful time together.
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